Aún no me he repuesto de la última noche que pasé contigo. Radio 3.
Radio 3 is one radio station Spanish national public broadcaster belonging to the National Radio of Spain directed by Tomás Fernando Flores.
The contents of the string are mainly focused on the topicality of the musical genres away from the mainstream and charts, such as indie, alternative rock, electronic music or hip hop. It also has thematic programs of other musics that have no place in commercial radios, as folk music Spanish, flamenco, world music, jazz, country, blues, Brazilian music, heavy metal, punk or the new age.
Besides music, Radio 3 also deals with culture, literature, film, technology, theater, visual arts and creativity. Always emphasizing and supporting the most innovative and restless in each discipline proposals.
Oscar Mulero's DJ career has-been as prolific and long lasting as the development of dance music. As a key figure in esta evolution, Oscar has always absorbed new trends and kept His finger on the pulse of electronic dance music, from the end of the 80's right up to the present day. It is impossible to Understand the phenomenon of esta DJ in Spain without taking into account His tireless work behind the decks for more than a decade.
Oscar Began as a DJ at the end of the 80's in Madrid, in the experimental MOST clubs of the city: such as Impossible, Capital, Kitch and Babia, playing Gothic Rock and EBM, the Most Important styles at the time. In the 90's I Began to play at the legendary club New World (Madrid) The most influe ..
The mid-eighties, Madrid. The Spanish capital city is teeming under the grip of a musical blast the likes of Which has never been seen before. In the midst of That rabid swirl, a teenager, unknown and unassuming, a record shop Enters His savings to blow on an album, Standing on a Beach, by The Cure. Little did I know That This was to be His first step on the long and difficult path to becoming one of the country's essential djs.
He soon became a familiar face in the dj booths of the MOST exclusive underground clubs of Madrid, but the best was still to come and the first chapter was called New World, His first "proper" job.
New World Were sessions soon all the rave and Oscar Entered the studio for the first time to Collaborate in the making of the club's official record, Nuclear Zone. His was a backseat involvement, more as a sound advisor than as a producer. It was not Until later on producing and deejaying That Became His livelihood. The record Went on sale in 1993 and was quite a success, going on to get included in many of the national compilations of the time.
The New World experience finally came to an end. But it allowed for the birth of THE OMEN, Which for many was the ultimate club. The Omen was so successful it Quickly became a tourist attraction, with clubbers from all over the country coming to Madrid every weekend to enjoy Oscar's sessions. This led to a change in His career. I Gradually Moved away from being an Important resident dj to a traveling one. I started to travel Regularly, taking the Omen sound all over the peninsula. Firstly to the north, and then a Gradually, to all four corners of the country. It was the beginning of Oscar's intimate relationship With airports and the road.
And so to the year 1996 and the third Sonar, a festival Which had by then a Become established as one of the Most Important in the world. For the first time, the name of Oscar Mulero Appeared Among the list of national invitees, alongside others of His generation: such as The Frogmen, HD Substance or Resonic. Sonar 96 served to officially confirm a whole new scene Until Then That HAD Been In an embryonic state, but was now being taken Which seriously for the first time and coming to be viewed as the seed of something solid. At Sonar 1996, Oscar held His Own Against stars of the stature of Richie Hawtin, Garnier and Mills.
Outside Spain, people started talking About His unique technique and musical selection. Another mission accomplished. And so on to the next phase ...
There was life after Sonar. The kind of recognition and support I have Gained as a result of His Successes brought` even more work, more travel and more big festivals,: such as the Members of Mayday Festival, and culminated in 1998 in His First Session CD (the first CD of Its type to be released in our country) Entitled About Discipline and Education, released by the Catalan label So Dens, Which at the time was closely linked to the Organisers of Sonar. The musical selection was, for the time, very advanced and ground-breaking. A blend of the best of the dry, industrious sound of Birmingham, courtesy of people like Regis or Surgeon, and the best US sounds of the era, Represented by the likes of Jeff Mills and Joey Beltram. The CD was an huge hit. One of the biggest-selling electronic music CDs in the country ever.
Already a well Known name on the underground circuit Among The most faithful clubbers, Oscar Mulero now started to Appear in media headlines in the Specialised and overall press alike. Thanks to him, the DJ was now a figure taken seriously by the media Who Had viewed them as Until Then just another of the many night works. As I HAD done so on many previous occasions, Oscar was again opening up doors and blazing trails ...
His second work was released in 1999. It was Done with GROOF, an experienced producer from Madrid. The two FORMED the duo Quite Unusual, on the GROOF label Brainwaves. They Were well received by critics and enjoyed good sales Past. His first release With an international label came in 2000 on the French label Kobayashi. It was His first away match and first away victory!
That very year saw the birth of WARM UP and a couple of years later, ITS POLE offspring. From then on, all Oscar's Efforts Were focused on releasing His own material Whether home or away, on the very best techno labels of the planet,: such as Coda, Pure Plastic, Tresor, Sheep, Tsunami and Main Out. Definitively That put him on the world techno map. Between 2000 and 2002 I have released no fewer than nine EPs, Which lead to a Contract with one of the biggest dj booking agencies of the time, Dynamix Booking from Berlin, an agency That Represents Also some of the best techno artists of the world. From then on, Oscar was seen and Heard in clubs and festivals from all over the world, more and more often.
In 2003 I released A Occhi Chiusi on the Pure Plastic label, under the name of TROLLEY ROUTE. This was totally mental electronic work Present That was easy to dance to. That album ended a cycle and confirmed His maturity as a producer.
Since Then, I have continued His work producing and remixing relentless With the very best techno labels the world over, and I have not stopped appearing on the electronic stage everywhere. Dr. Smoke, His alter ego, strength Gained During esta period as a showcase of Oscar's open and eclectic vision as a music selector, techno leaving aside and moving deep into territories: such as electro, dub and IDM.
During 2008 Oscar Significantly His work expanded map. Visiting the Movement festival in Detroit, China and Japan, have been left His mark on almost every continent.
During 2009, His forays into international presence included as exotic country clubs (from a techno point of view) as China. As for studio work, That same year saw the digital release of the album Trolley Route, the making of a CD mix for the prestigious Tresor Records label and the creation of the Natural Selection collective Together with Exium, Reeko and Christian Wünsch.
Following a memorable anniversary party at Fabrik, Madrid, That was a huge success With the crowds and Celebrated His twenty years as a dj, we see the end of one era and the beginning of a new one. From then on I is open to the use of new technologies and new projects, Pole: such as the platform, Which picks up the thread from Natural Selection and gathers the best of the national techno scene under one banner.
During 2011 we saw the release of His first LP as Oscar Mulero, Grey Fades to Green. A double CD 4 Also released as vinyl Which will bear testimony in September to Oscar's maturity and consolidation as one of the Most Important Producers electronic music worldwide.
On the stage side audiovisual Oscar has developed a fully Experience with his "Light & Dark AV Set", tested live in some of the best festivals around.
2012 Warm Up Records was tenth anniversary, with thirty four releases to date. Last year saw the publication of Past Oscar's second full length album, Black Propaganda, Which Means to twist in His trademark sound on Behalf of a modern approach to techno and dark, and has the support of the best DJs and the media.
During 2012 PoleGroup Their activities expanded and started all over Promoting Their showcases Spain and Europe, working side by side With artists like Regis, Lucy, Xhin, Perc or Peter Van Hoesen, to name but a few.
As a performer, His schedule has expanded in 2012 With gigs all over the planet: Asia, Oce-ania and South America.
For 2013 he's going to release the Black Propaganda remixes, Where the cream of the techno scene remake His tracks. Also he's going to launch Spherical Coordinates, pro-ject With Christian Wünsch, as well as other releases for labels Semantica Such as, Modu-Larz, Blank or Detroit Underground.
Laurent Garnier has been making the planet dance for
almost 30 years. And, for all these years, his boundless energy has seen him
grooving behind record decks, bouncing up and down behind studio equipment and
leaping around radio studios. He is a multi-faceted artist whose impact on the
music scene is far-reaching. But above all he is a DJ, a true DJ: transformed
by music, passionate about the crowd. Bodies move in a trance on the dance
floor, minds elsewhere. Yet he is also an explorer of old and new sounds and
has an amazingly rich musical culture. He spends most of his spare time sifting
through old vinyl in record shops, following the most obscure leads on the
internet and listening to every single piece of music he is sent. Music, the
pulse of our planet, is his Holy Grail.
One of the pioneering DJs of the dance music scene,
Laurent Garnier experienced first-hand the euphoria of the acid-house movement
in Manchester. He then went on to Wake Up and shake up Paris nightlife, from La
Luna to the Palace, not forgetting the Rex Club. As one of the leading lights
in French dance music at the end of the 1980's, he then spread his message
across the planet, from raves to warehouse parties, clubs to festivals. The
Excess Luggage 5-CD collection sums up the somewhat hectic life of this
globetrotting DJ whose antennae are permanently tuned-in to sounds from around
the globe, current trends, and the music of the next generation. At the
beginning of 2011, Laurent Garnier was the only Frenchman to be voted one of
the top 35 international DJs by readers of the UK magazine Mixmag. One of many
accolades for this turntable impresario whose incredible DJ sets blend techno
from Detroit and beyond, and mix in hints of jazz, sweltering disco,
heart-warming house, African grooves, jungle, dubstep and bass music.
Musical eclecticism is at the heart of Laurent
Garnier's contribution to radio. At the beginning of the 1990's, Laurent
Garnier got behind the microphone, playing records on Radio FG, Maxximum and
Radio Nova, where he remained a vital force for the next 18 years. Uncovering
rare records, selecting new sounds and promoting new trends, Laurent Garnier
has found great satisfaction and pleasure in radio broadcasting. To the point
when, in 2003, he created Pedro's Broadcasting Basement, his own webradio open
day and night that can be accessed across the planet. And as if that was not
enough, for four successive years he presented his own weekly radio show It Is
What It Is, broadcast in France (Le Mouv), Belgium (Pure FM), Switzerland
(Couleur 3) and Mali (La Chaine 2).
Laurent Garnier is an artist who never stands still.
He is tireless in his enthusiasm and is always bursting with new ideas and
projects. As well as the demands of his DJ-ing and his radio shows, Laurent
Garnier has also evolved into a well-respected music producer. His first big
hits (Acid Eiffel and Wake Up), both soundtracks to the explosion of dance music
in France, have paved the way for a series of albums that are both elaborate
and multi-layered. From the techno undercurrents of Shot in the Dark to the
ambition of Tales of a Kleptomaniac, the electronic odyssey of 30, the maturity
of Unreasonable Behaviour, and the visionary escapism of The Cloud Making
Machine. In the space of five celebrated albums, Laurent Garnier has embarked
upon a remarkable journey. A journey marked by some incredible electronic music
anthems, loved by both DJs and the public alike: Flashback, Crispy Bacon, The
Man With The Red Face, Back To My Roots, Gnanmankoudji, It's Just Muzik. His
discography is also inseparable from the story of F Communications, the label
that he created in 1994 with Eric Morand and which brought to the fore
producers such as Mr Oizo, St Germain, Jori Hulkkonen, AlexKid and Scan X.
This musical journey is described in the book
Electrochoc that Laurent Garnier and the journalist-writer David Brun-Lambert
wrote together and which came out in 2003. An updated and extended version was
released in 2013. In this biography, Laurent Garnier tells the epic story of
electronic music through his experiences and recollections. Electrochoc was a
publishing hit and has subsequently been translated into several other languages
including English (published by Rocket 88 publishing in May 2015), Spanish,
German, Japanese, Russian and even Croatian. In addition, Electrochoc is
currently the inspiration behind a screenplay for cinema co-written by Laurent
Garnier. Filming is due to begin late 2015.
Aside from his albums and singles, Laurent Garnier is
also a composer for the cinema, television and theatre. He wrote the music for
the films SDF Go Home and Qu'Allah BŽnisse La France, for the documentary Play,
for the animated film Globi and the Stolen Shadows and in 2010 made the music
for the French television show Groland. For theatre, Laurent Garnier has
composed the music for contemporary dance choreographers Angelin Preljocaj
(Fire Sketch and Suivront Mille Ans de Calme) and Marie-Claude Pietragalla
(Sade: Le Theatre des Fous and M et Mme Reve). All of these musical scores are
characterised by being wonderfully inspirational experiences and are just one
aspect of Laurent Garnier's far-reaching career founded upon commitment and
passion.
Whether behind the decks or a radio microphone,
Laurent Garnier has managed to fulfil his childhood dream: sharing the best of
music with people. And now Laurent Garnier the DJ has further evolved into an
accomplished musician, whose talents are widely recognised. One of his great
strengths is knowing how to take his own music on to the stage as live
performance. From the Olympia in 1998 to the Tales of a Kleptomaniac tour in
2009/2010, Laurent Garnier has reinvented himself as an important live artist,
defending his music and his vision as well as his sense of immediacy and need
for improvisation. Surrounded by experienced musicians, Laurent Garnier lights
up the stage like a DJ does a dance floor. During his most recent tour of about
100 concerts performed over a period of 18 months, he won over audiences from
the Nice Jazz Festival, Benicassim, the Salle Pleyel in Paris, to I Love Techno
in Ghent.
Following on from the Tales of A Kleptomaniac tour,
the LBS concept Ð Live Booth Sessions or Loud Bass & Samples Ð toured the
planet between 2010-2013. This concept had a live format and was made up of
three performers: Laurent Garnier (DJ & machines), Benjamin Rippert
(keyboards) and Scan X (machines). An experimental live music project, it
married the organic and the electronic, with the flexibility of the DJ and the
intensity of the live performance. Specially created to match the feverish
atmosphere of a club, LBS worked the dance floor to a frenzy with marathon
sets.
This time-out, performing live, motivated Laurent
Garnier to return to his first love: DJ-ing. He has gone back to globetrotting
and working as an untiring DJ, hungry for new sounds, performing in major
festivals (Sonar, Dekmantel, Nuits Sonores, Time Warp, Weather), familiar clubs
(Berghain/Panorama Bar, Fabric, Fuse) and new places (Output, Le Sucre,
Concrete). There, he was able to test out the five EP's that make up the
Garnier Project released in 2014 on five different labels: Still Music, Musique
Large, 50Weapons, MCDE, Hypercolour (these EPs are now available as one box set
entitled the HOME box out on F Communications). The Garnier project is a new
experience for Laurent to produce an album; The HOME box album is coming out in
May 2015 on F Communications. Laurent is still known to share the decks once in
a while with other DJ friends such as Boys Noize, Manu Le Malin, Carl Cox or
Motor City Drum Ensemble. His sets are always so generous by nature. Always in
tune with the crowd and the energy on the dance floor. Some things never change: it's the story
of his life
